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[free improvisation, electroacoustic] Thomas Lehn, Franz Hautzinger, Philip Zoubek, Carl Ludwig Hubsch - 2012 - Scope (FLAC, Monotype 44)

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Monotype Records mono044.

1	Zoom	12:11
2	Scope	16:46
3	Lens	9:40
4	Hal	6:54

Philip Zoubek: piano
Thomas Lehn: analogue synthesizer
Franz Hautzinger:
quartertone trumpet, delay
Carl Ludwig Hübsch: tuba

Hautzinger and Lehn were paired up (along
with Bertrand Gauget) for 2009's excellent Close up. The playing on that CD, along with its name, serves as
interesting contrast to Scope. Scope is generally more distant: perhaps the "landscape" shot to Close
Up's microscopy. But, more importantly, Scope shares with Close Up evidence of these players' abilities to
paint breathtakingly singular pieces in sound. Neither the lineup nor their instrumentation gives much clue to what will
happen next at nearly any moment on this collection.
Hautzinger's work in particular is so radically
tangential to expectations of his instrument that it seems almost perverse to refer to him as a trumpet player.
Essentially he explores the internal acoustics of small metallic tubes through analog electronic processing. That these
investigations occur using a cultural artifact known as a trumpet is somewhat beside the point (unless, a la surrealists
like Davey Williams and LaDonna Smith, Hautzinger is banking on the performance value of the attendant irony).
Perhaps the most recognizable among the instruments on Scope is Zoubek's piano. However, Zoubek spends as much
(or more) of his time hovering over the strings as the keys. His attention to timbre and note placement is far more
reminiscent of Derek Bailey (at his most minimalist) than Cecil Taylor.
To the credit of the players qua musicians,
a fair number of the sonic events taking place are difficult to identify. That is a plus with music of this kind. It
allows the music to transport one away from ratiocinative concerns about instrumental prowess and allow the music to
speak its own purely non-conceptual language. As with this quartet, players have to be skilled instant composers to
facilitate that transition in the listener's mind; but, at the blissful moment of full engagement with the music,
such matters of control and intent lie outside the focus of attention.
The album features excellent evocation of
space without loss of detail — the title track is a prime example. "Scope" the track runs the dynamic
gamut, with all of it occurring in something approaching that epic "room" that will be familiar to listeners
of Evan Parker's electroacoustic ensembles. Yet when the maelstrom of the central part of the piece enters its
death throes, the listener's ears are allowed to zoom in for the autopsy, as the players prod and pluck the remains
of the music for whatever it has left to give. The "room" does not continue to swallow their investigations.
Lehn, Hautzinger, and Zoubek take the mixing and recording credit on the CD packaging, and the credit is well
deserved.
Lehn is perhaps the most well-known among the players here, so it is worth mentioning his playing for
those who will be most drawn to the CD by his presence. The album is decidedly darker and more cinematic than other
notable titles featuring Lehn, like those of his duo with Gerry Hemingway and Konk Pack. However, the final track,
"hal," is perhaps most like classic Lehn. It demonstrates Lehn's mastery of vintage synth language, with
all the buzzes, beeps, and burbles that sound best using 20th century analog devices; and some of the playing has that
pointillist approach that Lehn does so well. But the fact that Lehn can transcend his own familiar territory and still
produce such utterly unique and compelling music as found on Scope is a credit to his musicianship, as well as that of
his partners here.
Scope is stunning in its originality and is one of the best exemplars of the creative value of
improvisation that I have encountered in quite a while. It is likely to please both fans of European free improvisation
and those interested in the sound artistry of electroacoustic music. - Wyman Brantley, squidsear.com   Show Demonoid some love with  BitCoin:
1DNoid2VRyfYn9T38Z1SZ5XncG7WMgCeUL How to get BitCoin?  


           

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